Inorganic Specimens: Material Regeneration of Shell Waste

Taking shell waste and self‑developed geopolymer technology as case studies, it explores the inherent relationship between biomineralisation heritage and specimen‑based aesthetics

Loss of Form: Remaking Material Ruins and Cultural Order in Chaozhou’s Ceramic Industry

Using Chaozhou waste ceramics as a case study, it documents the full transformation of traditional ceramic waste from industrial residue to contemporary circular material and culturally reflective design practice

Death Is No Farewell: An Experiment to Make Cemeteries Disappear

Taking funeral and burial material experiments as a research sample, it records how life ashes and inorganic cementitious materials transform from symbols of separation into carriers of enduring symbiosis

Material Transformation and the Narrative of Masks

Taking hot-pressed stools made from recycled masks as a case study, it explores the spiritual ethics of sustainable design that transcends material circulation.

Hardheadedness: The Paradox of Obsession

Exploring the paradox of obsessive perseverance and conviction through the material symbolism of concrete

Imprints and Homecoming: The Century-Long Everyday Life of Terrazzo

Using terrazzo as a case study, it explores the circular regeneration of stone waste, industrial pioneering and the reconstruction of everyday aesthetics

Dystopia: Capital, Mobility, and the Collapse of Ideals – A Slice of the City

Using the urban transformation of Huangbian Village in the Pearl River Delta as an observational sample, it dissects the humanistic logic behind the evolution from ideal utopia to real dystopia